ron2
Posted : 5/15/2010 8:38:52 PM
Moonlight
Ron, I love that song, and I really liked your interpretation. In parts, on the recording, the guitar overshadowed your voice a touch, and I would have prefered it to be the opposite, but I really, really liked it! :D
Thank you very much. I have recorded this song before on my little digital camera, which has a crappy mic that flattens everything out and it didn't sound like me. This recording, however, sounds as close to how I sound as I can get. The original mix had my voice overpowering the guitar. I can see it in the waveforms of the tracks. My voice is recording at twice the amplitude of the guitar. The only effect on the voice is the compressor, which brings up the low volume parts and controls the high volume parts to provide a more even or balanced volume to the track. Over the years, I have developed quite a range and a lot of power and volume.
Another song I have enjoyed singing is "Sweet Child of Mine" by Guns and Roses but I have been working on my own single guitar arrangement and I'm still not satisfied with the results, so I will keep working on it. That's the difficult part of doing cover songs. You are singing songs that were written for another voice and had way more effects thrown in than I have used, including pitch correctors. I don't pitch correct the track. I keep going until I get it right, primarily because I am used to playing and singing live for friends and a few clubs.
Music has been a passion for me for a long time. I started playing guitar in October 1974. And sang but without much range and resonance. In 1987, Guns and Roses released "Appetite for Destruction." "Welcome to the Jungle" was the first big hit. But "Sweet Child of Mine" exploded all over the place and it inspired me to work on my voice. In 1988, I found a book by Graham Hewitt titled "How to sing olympically."
I have been compared to a lot of people but I don't sound like any particular singer, though at times, I thought I might have sounded like a cross between Robin Xander (Cheap Trick), Lonnie Van Zandt (Lynrd Skynrd). Other times I thought I sounded like Klaus Meine (Scorpions.) My wife has sometimes thought I sounded like David Byron (Uriah Heep.) That's a fairly close match and we even look alike, except that I have blonde hair. My father-in-law once thought I sounded like Luka Bloom, an irish tenor folk singer. Especially the way he sings on "Ciara." It's funny because I was singing "Dust in the Wind" by Kansas.
One time, I did a funny version of "Highway to Hell" and someone compared me to Justin Hawkins (the Darkness, especially on the song "I believe in a thing called love";).
Usually having a unique sound is a good thing. It's more important than range, really. But when I tried out for bands in the 80's, they really wanted someone who sounded like Robert Plant or David Coverdale. I can sing anything those guys sing but I don't sound like them. But I have played to pleasing reviews with "Stairway to Heaven" ( Led Zeppelin) and "Dream On" (Aerosmith. And yes, I can hit that note.) I have hit the high note in "Bohemian Rhapsody" by Queen. Many people don't know it but that high stuff was not sung be Freddie Mercury but by the drummer, Roger Taylor.
I did "Brandy" at the Elks Lodge in Sherman, Tx, which was a hit with everyone, especially the lady bartender. Surprise, the song is about a lady that serves drinks for a living. Go figure.
Another friend who was in a band setting up for a show liked it that I entertained for a while with an acoustic guitar and no mic. I did "Down Under" by Men at Work, that time.
At a New Year's party, I teamed up with a local jazz legend, Josh, and we did the only version I know of "Freebird" by Lynrd Skynrd with a tenor sax doing the solo. I had long hair then and a top hat, which gave me a Lonnie Van Zandt look.
I really need to start writing my own stuff again. Not only would it be written for my voice, but then I could submit the stuff to Glenda's son at the radio station in Florida.